Rapidshare hellraiser

Action, Adventure, Horror. Locked inside the infamous puzzle box, the gamer needs to fight cenobites and other monsters on each level of hell to open a section of the box. The game was never finished but remains a See full summary ». Votes: R 97 min Horror. An investigative reporter must send the newly unbound Pinhead and his legions back to Hell. R 85 min Horror, Sci-Fi. In the 22nd century, a scientist attempts to right the wrong his ancestor created: the puzzle box that opens the gates of Hell and unleashes Pinhead and his Cenobite legions.

R 99 min Crime, Horror, Mystery. A shady police detective becomes embroiled in a strange world of murder, sadism and madness after being assigned a murder investigation against a madman known only as "The Engineer".

Votes: 16, R 89 min Horror, Mystery, Thriller. A shady businessman attempts to piece together the details of the car crash that killed his wife, rendered him an amnesiac, and left him in possession of a sinister puzzle box that summons monsters.

Votes: 12, Earth has been silenced, and mankind eradicated by one final war. Now in the bowels of Hell, Pinhead - leader of the Cenobites - finds himself bored, tortured by his own immortality, and facing the fear that his own dark legion will eventually turn upon him.

The only thing left to do? The last possible slice of sensation he can experience? To open the puzzle box himself. Director: Gary J. Tunnicliffe Stars: Gary J. Tunnicliffe , Mike J. Regan , Steven Lawrence. R 88 min Horror, Mystery, Thriller. A journalist uncovers an underground group who can bring back the dead and slowly becomes drawn into their world.

Votes: 9, R 91 min Horror. Gamers playing a MMORPG based on the "Hellraiser" films find their lives endangered after being invited to a rave, the host of which intends to show them the truth behind the Cenobite mythos. Votes: 10, In this fan film crossover, Lucifer blackmails a young woman into solving the Lament Configuration, in hope of bringing the Cenobites into the Second Angelic War. Philip LeMarchand was also a known member of the fraternal order of the Freemasons.

Around , while attending a Lodge meeting, he met the acquaintance of Frederick Braun, to whom he related his artistic difficulties.

Monsieur Braun was gracious enough to lend LeMarchand a treatise on secret geometry. It was through this book that he learned of Reiss Kunst, a highly skilled master in the fields of astrology, mathematics, theology and sacred geometry.

Accompanying the text were illustrations depicting geometric forms with curious titles such as ' Coenobyte's Welcome ', and ' Spiral of Desperation '. The structures depicted by Kunst were ornate and complex, each a work of art not unlike the forms LeMarchand wished to create.

Kunst's work was inspired by puzzles crafted in the thirteenth century by Albertus Magnus which, when opened, introduced unknown wonders to the solver. He constructed his creations from a material which was previously unknown to him. This material was described as a dark polished stone, or lacquered wood, which felt like a warm, soft metal when touched, even though it was hard and possessed of no measurable radiant heat.

LeMarchand vowed to do his best to learn more about these creations of both Kunst and Albertus Magnus and of the properties of the mysterious material they mentioned in their work. A woodcut depicting John Dee and his assistant Edward Kelley, summoning a 'Coenobyte' using a cube device similar to the works of Albertus Magnus.

Not long after, Philip LeMarchand would make the acquaintance of an Englishman, Geoffrey Chance, a collector of books, with many volumes of esoterica.

Though LeMarchand was initially troubled by the occult content of many of the works, his apprehension became delight as he uncovered numerous references of Albertus Magnus and the "Coenobytes" within these works. He found references to the Coenobytes as far back as Saint Thomas Aquinas of the twelfth century.

These beings, which LeMarchand first took for the peoples of a particular geographical region, were in fact beings of a supernatural order not unlike demons or angels. References to these beings came much more frequently, though with little further illumination, in the works of Agrippa and Giovani Pico della Mirandola. The first significant reference appeared in a work on the Elizabethan Magus John Dee.

According to the text, Barnabas Saul, who was Dee's first skryer, evoked the Coenobytes from their own realm and was told numerous secrets of a divine nature. When Bartholomew Hickman, Dee's final skryer, approached him concerning this, Saul denied it entirely.

This text was accompanied by a woodcut of John Dee and Edward Kelley looking at a box like the one which was described by Reiss Kunst as being of the design of Albertus Magnus.

This box appears to be admitting fire from which a Coenobyte is manifesting itself. Another book described the journey of Livingston Merrick into Hell, after calling forth the Coenbytes through a magical formula of great antiquity.

Upon the Coenbytes' arrival, Merrick offered to them his services. Livingston went forth with the Coenbytes into their own realm which he surmised was Hell. Here he found no inferno, but an oppressive labyrinth of cold stone. He also learned that it was not Satan who ruled this realm but a great rotating geometric form suspended in the air from which emitted beacons of black light. This form was in fact a being whose law was structure and order.

This being was called Leviathan as was the great beast in the Bible. Livingston was in complete awe and fright, and was only spared his own life by offering to provide other beings to the Coenbytes in the future. Portrait of Gilles de Rais - lieutenant to Joan of Arc, and infamous child killer.

LeMarchand dismissed these tales as nothing but fascinating fantasy, at best, but even in all fantasy he had found there were elements of both myth and reality. Furthering his research, LeMarchand later visited the chateau of Antoine de Moret and related to him his tales of artistic frustration. Monsieur de Moret produced a slender volume from his collection of books and from inside the book he removed several loose sheets of paper, which he explained were from the diary of Gilles de Rais.

LeMarchand was no stranger to the legend of Gilles de Rais - lieutenant of Jeanne d'Arc , who was later executed for murdering over a hundred children as sacrifices to the devil. He had become something of a boogeyman to the children of France. Leafing through these pages, LeMarchand learned that Gilles de Rais was not evoking devils, but a 'Cenobite', as it was spelled in this text, who called himself Baron.

Gilles de Rais had first learned of the Cenobites through an Angevine knight in who was subsequently imprisoned, accused of heresy. Monsieur de Moret assured LeMarchand of the authenticity of the formula contained within the sheets of pager, now in his possession, were one in the same as the formula utilized by Gilles de Rais.

Upon this revelation, LeMarchand was filled with intense anticipation. LeMarchand purchases both the pages and the box at considerable cost, requiring that he offer his architectural services when he returned to New York. The original puzzle box crafted by Albertus Magnus, which became the basis of LeMarchand's puzzle box designs. After several hours of manipulating the tiny brass plates adorning the surface of the box, it began to move and shift. Finally tiny hatches, numbering nine on the face, opened to reveal tiny brass birds which joined to produce a delicate and beautiful harmony unlike any he had heard before.

But through this melody, LeMarchand also heard the chiming of distant bells, and noted the scent of vanilla. This was when one of the cabin walls did open up, revealing a place other than the adjoining cabin; a dark and cold place, made of stone. He immediately recognized it for what it was - Hell, as described by Livingston Merrick. Out of this passage stepped a sort of man, of most gruesome appearance. His skin was nearly blue, and pulled taut across his skull, giving him a most dreadful grin.

His cheeks were rouged, and he seemed heavily perfumed. A sketch of the Cenobite called Baron, who imparted the secret knowledge of how to create the strange metal needed to construct LeMarchand's first puzzle box. Though initially taken aback by his appearance, LeMarchand eventually found his voice and inquired whether or not the stranger was, in fact, a Cenobite.

The creature replied that yes he was, and introduced himself as Baron, Duke of the Order of the Gash. It was the same Baron with whom Gilles de Rais had had dealings some three hundred years earlier. LeMarchand proceeded to explain his reason for contacting one of his Order, and described to the Cenobite the events leading to his attempts at evoking him, and his frustration and failures with steel as applied to his chosen art. LeMarchand produced for him several of his own sketches for the boxes which he had hoped to construct using this unknown material.

Meanwhile, Elliot's soul is transported into a strange realm, where he meets a malevolent entity that offers him unlimited power. Both Kirsty and Captain Spencer return from their separate Shamanic journeys to discover there are no longer any barriers between Hell and the surface world. In the movie series storyline, Pinhead was born Elliot Spencer and opened the Lament Configuration after becoming disenchanted with human life from his service in World War I.

Like the other Cenobites, he lost all memory of his human identity following the transformation and serves the deity Leviathan by abducting others who solve the Lament Configuration and torture them in a labyrinth realm called Hell. In Hellraiser , Kirsty Cotton unintentionally summons Pinhead and the Cenobites, but is spared on condition that she lead the Cenobites to her uncle, Frank Cotton , who had escaped them.

After reclaiming Frank, the Cenobites turn on Kirsty, who manages to banish them back to their realm. Pinhead briefly leads his fellow Cenobites in a battle with the newly created Channard cenobite, but is seemingly killed after being reverted to his human form. In Hellraiser III: Hell on Earth , it is learned that Spencer's reversion to his human form caused the negative attributes of himself to manifest into an independent entity, which takes the form of Pinhead.

Without his human half, the new incarnation of Pinhead is unbound by the laws of the Cenobite Hell as he reconstitutes himself on Earth. After being trapped in the form of an intricately carved pillar with writhing figures and distorted faces etched into the surface, Pinhead enlists nightclub owner J. Monroe to hs cause, He feeds on humans lured to him by Monroe to rebuild his physical form, as Frank and Juia did before him.

Once free, he engages in an indiscriminate killing spree on Earth, transforming some of his victims into a Cenobite army and turning the rest into a slaughterhouse scene. Spencer, however manages to escape Limbo with the help of Joey Sumerskill and stops Pinhead by re-merging with him. This binds Pinhead to the Lament Configuration once more, which Joey then uses to banish the restored entity back to the Cenobites' reality. In Hellraiser: Bloodline Pinhead allies himself with the demon princess Angelique , in order to force John Merchant a descendant of the inventor who built the Lament Configuration to create an unsealable gateway to Hell.

The future segments of the film reveal that Pinhead is finally destroyed in the year by Dr. Paul Merchant, another descendant, who uses a space station to complete the "Elysium Configuration", capable of closing Hell's gateway for good. Pinhead and other Cenobites are trapped inside it and are destroyed along with the box. In Hellraiser: Inferno Pinhead appears primarily under the guise of police psychiatrist Doctor Paul Gregory, assuming his true form near the end to inform protagonist Detective Joseph Thorne that he has been in Hell for the duration of the film, and is being punished for his corruption and various misdeeds in life.

In Hellraiser: Hellseeker Pinhead serves a role similar to the one he fulfilled in Inferno. Kirsty is now married to Trevor, a corrupt insurance agent who plots to have her killed in a murder-for-money scheme, using Lemarchand's box to "cleanly" kill Kirsty without the evidence pointing to himself, his mistress, or his conspirators.

Pinhead appears at the end of the film to inform Trevor, who had amnesia throughout the film, that he has actually been dead and trapped by the Cenobites for some time; Pinhead had appeared to Kirsty, pleased at the prospect of a "reunion," but Kirsty ultimately struck a deal with him: she would be left alone in exchange for killing Trevor and his conspirators, thus giving the Cenobites the victims' souls. In Hellraiser: Deader Pinhead appears several times to reporter Amy Klein after she tinkers with the box, a central relic of a cult she is investigating.

After Amy is captured by the group's leader, Winter, she learns he is a descendant of puzzle creator Phillip Lemarchand, and believes that it is his birthright to control the box and, thereby, the Cenobites. However, neither he nor any of his followers have been able to open it. Amy successfully opens the box, but rather than submit to Winter, Pinhead instead kills him and his followers for attempting to control it.

Subject to being taken to the Cenobite realm for having opened the box, Amy instead chooses to commit suicide. Pinhead appears as a fictional character in Hellraiser: Hellworld Although the Pinhead seems to attack the guests at a Hellraiser-themed party, he is revealed to be the hallucination of five guests who have been drugged and buried alive by the party's host, who blames them for not preventing his Hellworld-addicted son's suicide.

In the film's climax, the host discovers that the Hellraiser mythos is based on fact, and that his son had come into possession of a real Lemarchand box. Opening it causes the real Pinhead to appear, praising the boy's ingenuity before ordering a pair of Cenobites to kill the host. Hellraiser: Revelations returns to the portrayal of Pinhead in the original Hellraiser.

The film was produced as the cinematic equivalent of an ashcan copy to preserve Dimension Films' rights to the franchise. Due to the lack of preparation time, Bradley refused the part of Pinhead, and the role went to Stephan Smith Collins. The film was almost universally panned, and one review criticized the new 'pseudo-Pinhead', saying "Pinhead doesn't appear to be doing much with his free time but stroking bloodied chains and making sinister faces It's a farcical twist on the Austin Powers Mini-Me.

Hellraiser: Judgement : TBA. Unlike the film version, Pinhead is not the leader of the Cenobites in the Novella, and instead he and the other Cenobites follow the Lead Cenobite. This Pinhead's gender is left entirely vague, and their mutilations are described with notable differences from the film version:. Every inch of its head had been tattooed with an intricate grid, and at every intersection of horizontal and vertical axes a jeweled pin driven through to the bone.

Its tongue was similarly decorated. Perhaps, at one time, the nails had gleamed, but the years had tarnished them As for the rest of his appearance, it was much as it had been depicted in the etchings and woodcuts of demonic listings for millennia: the black vestments, the hem of which brushed the floor; the patches of skinned flesh exposing blood-beaded muscle; and the skin tightly interwoven with the fabric of his robes He looked like a creature that had lived too long, his eyes set in bruised pools, his gait steady but slow.

For Pinhead specifically, Barker drew inspiration from African fetish sculptures. Initially, Barker intended Pinhead to have a navel piercing implying that the character had genital piercings. Barker's original "Hell Priest" sketches for Pinhead were eventually adapted into an officially licensed mask by Composite Effects, to be released in limited quantity to the public on 24 March This was done in celebration of the 30th Anniversary of Hellraiser.

After securing funding in early , Barker and his producer Chris Figg assembled a team to design the cenobites. Among the team was Bob Keen and Geoff Portass at Image Animation and Jane Wildgoose, a costume designer who was requested to make a series of costumes for 4—5 'super-butchers' while refining the scarification designs with Image Animation.

In terms of lighting, Pinhead was designed so that shadows would swirl round his head. By July , the shooting script positively identified the single pinheaded Cenobite from the earlier draft as clearly the leader.

In Hellraiser: Judgment they updated Pinhead's appearance from the previous films. As writer-director Gary J. Tunnicliffe explained, "This is a very no nonsense Pinhead. No glib one-liners, he's a little leaner and a little meaner. We especially tried to incorporate this into the make-up and costume; the cuts are deeper, the pins a little longer, his eyes are completely black and wardrobe is a little sleeker and more visceral.

Someone on set described him as the 'bad ass' version of Pinhead. Hellraiser Wiki Explore.